Mumbai: All set for the Eighth Edition, the prestigious “India Art Festival’ has seen a huge high with the number of artists and indian and international galleries participating. The art show will prove to be a treasure of sorts for art lovers from across the country with 5000 works on display including paintings in oil, acrylic, water colours. Also Sculptures & original prints , landscapes, figuratives and abstracts will be dominating the show with genres like
The art festival, will also hold seminars & talks through the section ‘IAF Conversations – Artistic Dialogues’ on the 18th& 19th January 2019. The Day 1 of the conversation will observe topics like “Seeing Palsikar through the Progressives” to be conducted by PrabhakarKolte (Eminent Artist, Educator) and “Art of Jyoti Bhatt and Hemant Shah” by Vilas Shinde(Eminent Artist). The second day will notice topics like “Imaging in Mythological Realm” and “Undulations of the Image: Aperture through parallel Practices” by VidyaKamat(Eminent Artist, Researcher), MahendraDamle(Eminent Dance Artist and Visual Arts Observer) and VaibhavArekar(Artist, HOD RachanaSansad AFAC) respectively with Nikhil Purohit(Artist, Arts Administration) as a convenor of the ‘IAF Conversations’.
India Art Festival has become a prime source to acquire refreshing contemporary art by emerging, established and living master artists. The ever growing figure of art loving and art buying millennials in Mumbai and Delhi in the prime reason for the phenomenal growth of India Art Festival.” says Rajendra, Director India Art Festival.
The Gallery Section will also be noticing some international galleries like Gnani Arts from Singapore and Alfalasi.artz from Dubai. Also various galleries from national capital New Delhi and region are Easel Stories, Eminent Art Gallery,
The Artist Pavilion aims to createa dialogue between the viewers and the art maker, the artist and introduce some kind of democratic order in the art fair circuit. This works on a multiple level of engagement as it is necessary for the viewer to know the art practiced as it is needed for the artist to develop perspectives beyond their own lens of understanding, which the viewers’ provide. This kind of freedom is rarely possible as both the artists and the buyers benefit from this arrangement.
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